![]() Jones is Emeritus Professor in Residence at the University of Nottingham. ![]() She is author of Terrible Perfection: Women and Russian Literature, translator of Karolina Pavlova, A Double Life, Kozma Prutkov: The Art of Parody, and author of numerous articles and contributions to symposia on Russian literature. Barbara Heldt is Professor Emerita of Russian, University of British Columbia. She is now writing a study of Dostoevskii's Adolescent. Susanne Fusso, Associate Professor of Russian Language and Literature at Wesleyan University, is the author of Designing "Dead Souls": An Anatomy of Disorder in Gogol, and co-editor with Priscilla Meyer of Essays on Gogol: Logos and the Russian Word. She is also General Editor of Studies in Russian Literature and Theory for Northwestern University Press. She is translator and author of several books on Mikhail Bakhtin, on Russian music, and of articles on Russian nineteenth-century prose, philosophical thought, and readings of Dostoevskii, Tolstoi and Pushkin. ![]() Watson Armour III University Professor of Slavic Languages and Literatures at Princeton University. His books include Visions of Glory: Studies in Early Russian Hagiography. He is the author of numerous articles on Russian literature his books include The Structure of "The Brothers Karamazov" and The Genesis of ''''The Brothers Karamazov." Jostein Bortnes is Professor of Russian Literature at the University of Bergen. NOTES ON CONTRIBUTORS Robert Belknap is Professor of Slavic Languages at Columbia University. Novelistic technique - 233 ROBERT BELKNAPĬARYL EMERSON Guide to further reading - 294 Index - 298 Philosophy in the nineteenth-century novel - 150 © Cambridge University Press 1998 isbn 0521473462ĬONTENTS Notes on contributors - page ix Editors' preface - xi Acknowledgments - xvi Note on transliteration and translation - xvii Chronology - xviii 1 ![]() This volume will be invaluable not only for students and scholars but for anyone interested in the Russian novel. There is a chronology and guide to further reading all quotations are in English. In this context the work of Pushkin, Dostoevskii, Tolstoi, Turgenev, Bulgakov, Nabokov, Pasternak and Solzhenitsyn, among others, is described and discussed. There are chapters on the city, the countryside, politics, satire, religion, psychology, philosophy the Romantic, Realist, and Modernist traditions and technique, gender, and theory. The Cambridge Companion to the Classic Russian Novel offers a thematic account of these novels, in fourteen newly commissioned essays by prominent European and North-American scholars. Many Russian novels of the nineteenth and twentieth centuries have made a huge impact, not only inside the boundaries of their own country but across the Western world. ![]()
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